Cooking School

Learn to cook traditional Moroccan food in the heart of the medina
with Clock Kitchen. Fez’s first dedicated cooking school.

Dance

Belly Dance with Saida. Private lessons by arrangement

Calligraphy

Discover the sacred art of calligraphy with master
Mohamed Charkaoui.

Fez Download

Let us introduce you to Moroccan culture, customs and language
with Khalid. In 1:30hrs you will wow your way round the souks.

Henna

Give your hands a fancy look with a beautiful henna tattoo.

Oud

Learn to play with master musician Mohamed Semlali. Oud provided.

Djemmbe

Wild Djemmbe rhythms with Yassine. Djemmbe provided.

Jam Session

Every Wednesday from 6pm to 8pm Jam @ the Clock with
Mohammed Jocker. All Musicians Welcome

Clock Football Club

Friday @ 5pm in Batha Sports Complex .Speak to café manager for  details. All welcome

If in Cafe Clock ask manager for details otherwise call/email using details below

Art Exhibitions

Selected Prints from Habibi A group of prints from the graphic novel.

Cinema

Monday @ 6pm Jannat Directed by Kunal Deshukh, Emraan Hashmi,
Esha Gupta and JManish Chaudhary.The movie is in Hindi with English
subtitles (free)

Thursday@ 6pm Million Dollar Baby Directed by Clint Eastwood
with  Hilary Swank, Clint Eastwood and Morgan Freeman.The movie is in
English with French subtitles. (free)

Concerts

Sunday Concert @ 6pm

Nomad Fusion music with djemmbe hajhouj & percussion (20dh)

The evening was organized in Dar Batha from 15h to 18h in the presence of an audience (100 to 150 persons) including many young people who enjoyed the evening and have continued to applaud all the poets and artists who appeared on stage. Along with poetry, there were breaks with four groups of guitar players, also L’malhoun which is the most traditional music and an exhibition of jewelry and clay. The surprise was a parade of traditional Moroccan Caftan.

The success of this poetry evening couldn’t be achieved without the help of participants, organizers and sponsors, especially Café Clock which donated with tea, coffee and selection of Moroccan pastries during the evening for the 150 guests who attended the competition.

`It doesn’t matter where you live. What matters is that you have a cause to fight for.`

When people speak about US-Moroccan relations, they usually invoke politics, war on terror, religious extremism and corrupt politicians. Rarely do they mention individuals, from literature, media and poetry, who work tirelessly to bridge the cultural gap between the two countries. Lynn Rosen is an American poet who has been involved in a special poetry writing project as a means of promoting cultural cooperation with her Moroccan counterparts. Her work is exemplary of the efforts of intellectuals in connecting people and cultures in order to create a world of love, dialogue and peaceful coexistence.

Lynn Rosen spent many years as a teacher in the New York City public school system. Her other work as a library media teacher allowed her to connect with teachers from across the globe, via the internet, and give birth to her personal quest to make the world a better place. It was in this context that she met the Moroccan poet Hassan Mourabiti, through Facebook, and the result was a collaboration that produced a terrific book of poetry entitled: “Grapes of Hunger”. For Ms. Rosen, writing poetry with Hassan was a means of demystifying their respective cultures. Through their writing, they learned about one another’s traditions and realized that their cultures sought the same thing: a better world for everyone.

Ms. Rosen described the process of writing “Grapes of Hunger” as a journey of caring that is meant to send a message to the world to stop global hunger. As a humanitarian, Ms. Rosen considers social activism the key to bring about global change. She considers hunger an unjust and unacceptable social ill and laments the fact that millions of children are dying from hunger while others enjoy more than three meals a day. Many of her poems are designed to inform children of the danger of living in a world where their peers are starving. Her work against hunger has led to her involvement with projects such as New York Cares. She has also worked in schools, soup kitchens and with organizations for the disabled and the poor.

Ms. Rosen considers her poetry as a “work of heart” and equates writing with breathing. As she stated, “through my poetry, I get to inform others about hunger and other problems that we face today.” As Human right activist, Ms. Rosen published a book entitled “Tomorrow’s Vision” where she provides teachers and students with numerous activities that they can do to help the poor. The book also teaches students and future generations about their individual rights and how to respect the rights of others.

Ms. Rosen’s main mission is to help create a world where there is no hunger. She has pursued her goal as a writer, artist, humanitarian and activist. As she stated, “artists can contribute to the change we want in this troubled world of ours”. As a poet advocating against hunger, Ms. Rosen put it best when she said “we have the ability to dance with words and the more people who listen, the more change makers we will have.”

By Rachid Khouya

Edited by Hisham El Koustaf

Morocco World News

The city of Meknes will host the first edition of the National Festival of Aissawa Art under the theme “Heritage as a Mainstay for Advanced Regionalization” on February 24-25 at Faqih Mohammed al-Manouni Hall of the Regional Directorate of Culture starting from 6:30 pm.

The festival’s organizers revealed on Tuesday the rich program they set for the event. More than 30 Aissawa orders will participate, such as Ouald Sheikh Kamel from Meknes, Ahl Touat Dar Damana from Ouazzane and Taaifa al-Aissawia from Fez, in addition to the great artists Abderrahim Souiri and al-Asri Orchestra.

Under the framework of the festival, a seminar will be held on “Forms of Popular Expressions in the Issmaili City: Issawa Order as a Model,” with Prof. Mohammed Amine, Prof. Mostafa Benfaida, Prof. Muley al-Hassam al-Bouyahyaoui al-Idrissi, Prof. Mohammed Amine al-Alaoui. The seminar will take place on Saturday, February 25, at 3 pm, in the meeting hall of the headquarters of the Council of Meknes-Tafilalt region. At the same time, there will be an art gallery for the prominent artist M’hammad Jacky Belhaj at the gallery of al-Manouni Hall.

The festival comes as an occasion to introduce and celebrate Aissawa art in Meknes and shed light on the cultural diversity and artistic richness of the city. It’s a festival that celebrates the genuine heritage and history of the region. The festival aims to reposition Aissawa art as a unique authentic art form that should be preserved and cherished by honoring its pioneers and professionals. At the same time, it seeks to encourage creative youth who are interested in this ancient artistic heritage.

Aissawa heritage is considered as one the most important local popular art forms. It not only characterizes the cultural and civilization diversity of Meknes-Tafilalt region, but also marks the lives of Moroccans as a means of expression and a tool of communication that is loaded with values of co-existence and tolerance. This cultural heritage has been maintained and passed on by countless generations throughout history.

Editing by Benjamin Villanti

By Nidal Chebbak

Morocco World News

No matter the medium, technique or format, the value of the canvas is found in the event it creates and the emotions it brings. At the intersection of Arabic calligraphy and contemporary painting currents, Mhamed Mrani, in his own words “plays with colours in order to extract the poetic spirit so keeping dreams alive. Like the sound of a musical instrument echoing in the tumult of the universe, with its subtle whispers”.

The artist ties the philosophy of his life to the worship of Rimbaud “” I will not speak, I will have no thoughts, but infinite love will mount in my soul; And I will go far, far off, like a gypsy, through the countryside,  joyous as if I were with a woman”.

After careful exposure one can see varied, veiled references associated with Sufi doctrine, problems of identity and movements of the Arab spring.

The exhibition is presently showing in Cafe Clock before heading off to a gallery in Essaouira.

The Essaouira Gnaoua and World Music Festival celebrates the music of the Gnaouas, the product of a mystic tradition with branches as widespread as Haitian Voodoo and Brazilian Candomblé. Performers include the best local and international musicians of the genre.

A picturesque port painted in blue and white, Essaouira is a travellers’ favourite and the perfect destination for a festival devoted to the feats of the Gnaouas, best known for their tasselled hats, which spin wildly as the musicians rock.

Originating through a cross-pollination of African magic and Islamic rituals, the Gnaoua brotherhoods form a structured unit around a master. He leads the music and dancing until the participants are in a trance induced by the mesmeric rhythms of the drums, the guenbri (a form of lute) and the hand-held garagab (metal castanets). During religious ceremonies, Gnaouas have been known to impale themselves on swords or beat their heads with iron balls without sustaining visible external injury.

Faint-hearted visitors have nothing to fear, the Essaouira Festival does not feature such extreme performances: the programme focuses on the purely musical elements of Gnaoua tradition and its influence on African-inspired musicians.

Related Information

Website: Essaouira Gnaoua and World Music Festival Website

Ben Harper :  vocals and slide guitar
Jason Mozersky : lead guitar
Jesse Ingalls : bass
Jordan Richardson : drums

If I could only hear my mother pray again
If I could hear her tender voice as then
How happy I would be
It would mean so much to me
If I could hear my mother pray again.
Ben Harper, Mother Pray

Born in California into a family of instrument makers, Ben Harper draws on the roots of rock, soul, folk, blues and gospel, and takes us to the heart of traditional contemporary America – the America of Bob Dylan and Jack Kerouac, and also that of all black or white hobo artists wandering endlessly in search of another life.

The nomadic singers and dancers of this America contain the essence of spirituality, stemming from memories of a lost Africa, of the vicissitudes of slavery and the hopes of early settlers.

Ben Harper knows this America – he reinvents it in his music, searching for dignity in the world of gospel and the black churches, in the poetic ballads of Woody Guthrie and in protest songs later inspired by Jamaican reggae.
This is Harper’s first visit to Morocco, where he offers an acoustic concert inspired by the Festival’s theme.

Bhalil is the beginning of the  Middle Atlas mountains and many of the locals are Berber. Donkeys are the preferred mode of transportation in this tranquil town where many natural wonders await you. With a rich history and extraordinary natural features, Bhalil is located at the foot of the Jebel Kandar, and this magnificent peak offers visitors spectacular views  of the town and the landscapes that embrace it. Lush, green valleys, a sparkling river and fertile land create awe inspiring views from this hilltop, while the streets of Bhalil are lined with artisans who produce traditional and exquisite crafts to admire and purchase. The entire town has an extremely laid-back atmosphere to it. Residents are easily recognized by their clothing. The younger women of Bhalil wear a Djebella, while older women wear ihafs or tarfs on their heads that cover their entire bodies. The men also display head wear referred to as Razzas.

One feature of Bhalil that stands out from other cities is the fact that there are still a few cave-houses that are in use. Guides will be able to take visitors on tours of these homes, which only differ from normal houses by their location. Cave homes are also divided into rooms, with the bedrooms generally being located on the second floor; but unlike conventional homes, cave houses are able to keep the scorching summer heat out, as well as the icy winter chill. Home owners take much pride in their cave homes by comfortably furnishing the interior. However, visitors will have to look closely to not to pass a cave home by, as they can be hidden from the outside. Visiting Bhalil can be a very rewarding experience, and travelers who enjoy exploring destinations that are off-the-beaten-path should not miss out on Bhalil.

Olives are one of Morocco’s many riches and in Bhali the ritual of the olive harvest has remained pretty much unchanged for centuries. Villagers, armed with long sticks to tap the olives out of the trees and donkeys to carry the load, set off before sunrise and work until sunset. For a delightful look at the process of producing olive oil in Bhalil, check out the following video. http://www.youtube.com/watch?v=d8LsfG4mnxI&feature=related

The ‘CineClub’ of the Faculty of Science and Technology of Fez is planning on Wednesday, April 27 their 7th edition of  celebrating cinema. The film shown will address the theme “Morocco and the fight against corruption” -  guests of honor will include officials of TLC (MCC) and filmmakers, including those who worked on the feature film “Hadi W Touba”. The film will be followed  by a conference dicussing the topic of transparency in Morocco.

An party will be held on the evening at the party room Bahja 2 to wrap up in style the days events.

Café Clock is proud to sponsor a lunch for the organizers,

producers and director of the movie “Hadi W Touba”

More info about the movie: http://mabladi.blogspot.com/2010/09/film-marocain-hadi-wa-touba.html

Tickets for the day can be purchased at Café Clock or direct with the chairman of the ‘CineClub’ on Ali: 06 68549174 – Yassir: 06 79 44 76 50
 



1. Tara, what first attracted you to Morocco?

It was total chance actually. I was at the Hay book festival in Granada and met an author there called Tahir Shah (The Caliphs House, In Arabian Nights). He told me about this guy who’d abandoned a successful career at the Wolseley in London to come an open a café selling camel burgers in Fez. I was fascinated and booked a ticket to go take a look about a week later. The whole place got under my skin pretty much immediately – going into the Fez medina for the first time is like stepping back 2000 years – and it becomes almost like an addiction. If you like it, it calls you. You have to keep going back.

2. Tell us about the cuisine there.

What I loved so much about discovering food in Morocco is that there is still so much that hasn’t been discovered. We all know about tagines and couscous, but that’s just the tip of the iceberg. There is so much variety and diversity, but it’s little known outside of certain regions, or even towns and villages, and most of it you need to eat in somebody’s home. Some of it is reserved for special occasions like r’fisa – a chicken, lentil and fenugreek stew that is served to women after they’ve given birth, and sometimes as a special meal mid-way through Ramadan.

Then there’s the street food, again lots of obvious stuff such as you see in the night market in Jemma el Fna in Marrakech, but also lots of less obvious things like the hot, boiled snails or steamed chicken stuffed with coriander scented vermicelli that are both specialties of Fez. There’s a guy called Tami near the Café Clock who does the most amazing beans (lobia) and lentils, but they are not on his menu. You have to ask for them, but they are always bubbling away on his stovetop and I often stop there for lunch.

For me Moroccan cuisine is one that is on the brink of discovery, rather than something well established and that makes it incredibly exciting.

3. What are your favorite Moroccan ingredients and what are they used for?

That’s a difficult question. I love the spices and nowadays it’s the thing that everybody asks me to bring back for them, but there are certain ‘guidelines’ you need to consider. For example I never buy the spices that are heaped up in gloriously pretty cones on the street. After that much exposure to the air and sun they taste of sawdust. The best spices are freshly ground in the Herbalists found in all but the tiniest of towns. Generally I buy them whole and grind them at home though.

I find something new every time I go to Morocco. Last time I was in Fez I was at my regular herbalist . I was sold some extraordinary lemon cumin. The cumin is planted between lemon trees and picks up the scent and oils. The cinnamon is also fabulous, as is the Fenugreek, which is almost impossible to get in Spain.

There is virtually no dish in Morocco that doesn’t come with its own set of spices. It has a richness and almost regal appeal to it that we lack in Europe. Most commonly they’ll be cumin, paprika, dried ginger (never fresh), turmeric, coriander and fenugreek.

I also love the preserved lemons (I have three recipes for different types in my book), which add a distinct, unmistakably Moroccan flavour to dishes like the chicken tagine with preserved lemons and olives. There really is no substitute for preserved lemon and that makes it very special.

Similarly, smen is an aged, fermented butter that is used in lots of Moroccan dishes. It’s a little bit musky and cheesy and not to everyone’s taste (I’m not mad about it when used with a heavy hand), but in the hands of great cook it is sensational. At the Souk Kaat Smen (the honey and smen souk) the special breakfast is a hot baked khobz (bread) smeared with honey and smen. It’s eye-opening and something everyone should try if they go to Fez.

Finally, the Argan Oil from just south of Agadir is pretty special. Even in Morocco it’s very expensive, and it’s a bit like a walnut or almond oil in taste. Nutty, a little sweet almost like vanilla, and you can use it all on its own as a dressing. You don’t need to add anything else. I have a recipe in the book that combines oranges, fennel, capers and Argan oil, but at home I use it on all sorts of things. It’s also a wonderful dinner party trick: serve hot bread with Argan for dipping instead of olive oil. People are always wowed by it.

So it’s all these amazing discoveries that make Moroccan food what it is, and I’m discovering new things every single time I go there. Because for the most part you can’t get camel meat, or smen, in Western markets, it remains quite a secret cuisine too. I like that.

4. Is Moroccan cooking similar in any ways to Spanish cooking or Mediterranean cuisine in general?

Certainly in Spain there are lots of crossovers. The Moors occupied the Iberian peninsula for around 800 years so their culinary influences continue to be very prevalent. In Catalonia for example where I live, you get lots of dishes that combine meat and fruit like the classic goose and pears. That’s something that’s almost certainly grown out of Moroccan tagines, and Andalucia, particularly in terms of their cakes and pastries, uses lots of Moroccan flavours.

All round the Mediterranean rim you get variations on a theme – everyone has got some kind of bean dish for example, some sort of ‘hummus’ whether its made with chickpeas or fava beans, the Moroccan soup harira and the Italian minestrone aren’t worlds apart, but there’s always something that defines each country or region. That’s when it gets interesting.

5. Is quality wine made in Morocco?

Curiously enough it is. And more to the point it’s getting better all the time, though the truth is there’s an awful lot of rubbish too.

There are two key wine growing areas, the biggest being just outside of Meknes (about an hour from Fès) where you’ll find a number of Bordeaux winemakers who basically got sick of the stifling rules and regulations and came to Morocco largely so they could dance to the beat of their own drum. I like this maverick approach – it’s very Moroccan in many ways – there are no rules, so they plant what they want, make it how they please and they are having some really interesting results.

One winery that stands out in particular is Volubilia and a winemaker named Christophe at the Domaine de la Zouina. It’s a Hacienda style property with 155 hectares of vineyards in the middle Atlas, while Christophe is, as my friend Gail at Fez Food puts it: ‘a farmer with mud on his boots, soil in his blood and wisdom of one who lives daily with the challenges, rewards and setbacks Mother Nature offers.’

He makes a sensational gris (my wine of choice in hot Moroccan summers) and the kind of reds that would get Robert Parker salivating. Boozy fruit bombs that keep you warm on cold winter nights.

6. Your new book “Clock Book: Recipes from a Modern Moroccan Kitchen” is gorgeous, how did it come about?

When I went to meet Mike (the man making the camel burgers in Fez) I immediately decided to do a story on it. It was completely on spec, but I thought it was a no brainer. His chef, Tariq, took me deep into the medina to meet the camel butchers, they made their ‘secret, aphrodisiac’ kefta mix, we took them back to the Clock and cooked camel burger together. It was a real surprise. Lean meat, a great flavour vehicle rather than something strongly flavoured in and of itself, tender, and held its shape really well. In fact, I can’t think of a more perfect burger meat.

I did the story and sold it, amazingly, to Conde Nast Traveler. I thought maybe it was a bit off the wall for them, but they really liked it. After the article came out in February 2009, Mike called me and said, ‘we want to do a cookbook, and we’d like you to do it.’ So that was that really, I started going to Fez regularly to research recipes for the book.

7. What were your main inspirations (people, places, dishes) for the book?

Well, first and most importantly the team at Café Clock. Mike (owner), Max (manager), Tariq (chef) and Souad (chef) especially were supremely open in letting me come in for weeks at a time, observe, ask endless questions and throw in my own two cents worth from time to time. They also sourced recipes for me that are not served at the Clock – like the r’fisa – that I wanted to include, guided me through the markets, introduced me to stallholders and basically became my Moroccan family in many ways.

We created quite a lot of new recipes especially for the book and a lot of these came from street food that I saw on my travels. Many of the dishes I recreated back home, so they are inspired by rather than 100% authentic – the Moulay Idriss ginger lemon chicken is a good example. And the oven roasted tomatoes tossed in preserved lemon and served as a salad with mint and goats cheese was largely a result of seeing all of these things in the medina one summer morning and putting them together.

I love that Morocco is a still a culture of public ovens so you take your bread to the ferran, and you might take a terracotta urn – a tangia – filled with spiced meat to cook slowly in the embers of the hammam for several hours while you go about your business. I’ve tried to adapt this slow cooking method for western kitchens too.

Finally I took inspiration from other countries and cultures. My version of harira (the classic Moroccan soup) is served with big handfuls of herbs and lemon wedges as pho is in Vietnam.

It’s a fresh, contemporary take on traditional dishes and that really is what the book is all about. On the whole it’s quick, easy, light and bright. I realize that most people don’t have hours to spend in the kitchen so most of the recipes can be done in about 30 minutes, or at least can be prepared in 30 minutes and then forgotten about in the oven for a few hours.

8. One Moroccan dish you couldn’t live without?

I’m addicted to b’sarra – the local split pea or broad bean soup – that is traditionally eaten for breakfast. There’s a stall I go to in Fez near the Bab Boujloud that does a great one. It’s served in rough terracotta bowls with khobz and bowls of ground chilli, cumin and argan or olive oil, for sprinkling on top. Nothing sets you up for a busy day quite so well.

I’m a fan of street food anywhere in the world. There is a chickpea pie that comes out on wooden carts at completely random times through the medina (I’m still desperately searching for the recipe for it), I already mentioned the steamed chicken stuffed with vermicelli, which I like as a sandwich from a hole-in-the-wall drizzled with chilli sauce if I don’t have much time. If I do have some spare time the Café Amal, near where my little house is, does sensational spit roast chicken stuffed with coriander and chilli paste. They push it right in under the skin and serve it with chips and a yogurt dressing. I have it at least once a week when I’m in town (now the book is finished, I’m working on the renovation and planning my next book – or actually there’s three of them bubbling away in my mind).

Tara, we are planning our trip over to Fez!

See Tara´s Insider Tips on where to eat and sleep in Fez and Marrakech, Morocco here.